{"id":174,"date":"2011-09-09T21:03:08","date_gmt":"2011-09-09T21:03:08","guid":{"rendered":"http:\/\/www.nageebgardizi.com\/website\/?page_id=174"},"modified":"2014-01-25T11:17:38","modified_gmt":"2014-01-25T11:17:38","slug":"zeit-im-klang","status":"publish","type":"page","link":"https:\/\/www.nageebgardizi.com\/website\/?page_id=174","title":{"rendered":"Zeit im Klang"},"content":{"rendered":"

Zeit(im)Klang – Morton Feldman und der Aphorismus<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Anton Webern: Variationen f\u00fcr Klavier, op. 27 (1936)<\/strong><\/p>\n

(1883 \u2013 1945)<\/strong><\/p>\n

 <\/p>\n

– Sehr m\u00e4\u00dfig<\/p>\n

– Sehr schnell<\/p>\n

– Ruhig, flie\u00dfend<\/p>\n

\u00a0<\/strong><\/p>\n

Luigi Dallapiccola: Quaderno Musicale Di Annalibera, per pianoforte (1952)<\/strong><\/p>\n

(1904 \u2013 1975)<\/strong><\/p>\n

 <\/p>\n

Simbolo<\/p>\n

Accenti \u2013 Contrapunctus primus<\/p>\n

Linee \u2013 Contrapunctus secundus (Canon contrario motu)<\/p>\n

Fregi \u2013 Andantino amoroso e Contrapunctus tertius (Canon cancrizans)<\/p>\n

Ritmi \u2013 Colore \u2013 Ombre<\/p>\n

Quartina<\/p>\n

 <\/p>\n

Heinz Holliger: „Elis“ \u2013 3 Nachtst\u00fccke f\u00fcr Klavier (1961\/66)<\/strong><\/p>\n

(* 1939)<\/strong><\/p>\n

I<\/p>\n

„Elis, wenn die Amsel im schwarzen Wald ruft,<\/p>\n

Dieses ist Dein Untergang.“ (Georg Trakl, „An den Knaben Elis“)<\/p>\n

 <\/p>\n

II<\/p>\n

„Blaue Tauben trinken nachts den eisigen Schwei\u00df, der von Elis‘ kristallener Stirne rinnt.“ (Georg Trakl, „Elis II“)<\/p>\n

 <\/p>\n

III<\/p>\n

„Ein goldener Kahn schaukelt, Elis, dein Herz am einsamen Himmel.“ (Georg Trakl, „Elis I“)<\/p>\n

\u00a0<\/strong><\/p>\n

Michael Denhoff: „Aphorismen“, 8 St\u00fccke f\u00fcr Klavier (1974) (* 1955)<\/strong><\/p>\n

 <\/p>\n

Morton Feldman: „Palais de Mari“, for Piano (1986)<\/strong><\/p>\n

(1926 \u2013 1987)<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Nageeb Gardizi, Klavier und Moderation<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Zeit(im)Klang – Morton Feldman und der Aphorismus \u00a0 Anton Webern: Variationen f\u00fcr Klavier, op. 27 (1936) (1883 \u2013 1945)   – Sehr m\u00e4\u00dfig – Sehr schnell – Ruhig, flie\u00dfend \u00a0 Luigi Dallapiccola: Quaderno Musicale Di Annalibera, per pianoforte (1952) (1904 \u2013 1975)   Simbolo Accenti \u2013 Contrapunctus primus Linee \u2013 Contrapunctus secundus (Canon contrario motu) […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":157,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-174","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.nageebgardizi.com\/index.php?rest_route=\/wp\/v2\/pages\/174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nageebgardizi.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nageebgardizi.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nageebgardizi.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nageebgardizi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=174"}],"version-history":[{"count":2,"href":"https:\/\/www.nageebgardizi.com\/index.php?rest_route=\/wp\/v2\/pages\/174\/revisions"}],"predecessor-version":[{"id":926,"href":"https:\/\/www.nageebgardizi.com\/index.php?rest_route=\/wp\/v2\/pages\/174\/revisions\/926"}],"up":[{"embeddable":true,"href":"https:\/\/www.nageebgardizi.com\/index.php?rest_route=\/wp\/v2\/pages\/157"}],"wp:attachment":[{"href":"https:\/\/www.nageebgardizi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}